Computer Fugue

99070 enter escape yes. 88366 enter escape yes. Yes. Escape. Enter Enter Enter.

Doing data entry at this gynecologist's office, in the cool air, I lay aside the excitement always knifing me. I type 99070 I am an ant I enter escape yes I am no random collection of wants I offer my crumb to the picnic.

99070 This morning I dreamt my lover pollen drunk with a head like a hive. 99070 enter escape yes enter escape yes escape escape yes enter enter like a bee I drone for honey without tasting.

88831 In this office there is a beautiful woman who moves like honey in a jar. 88831 enter yes I distrust beauty; it is too simple. 88831 enter escape yes 99070 88831 enter enter excitement like a knife, like an antennae. Enter I am not wearing underwear yes yes.

99070 enter escape yes I can always see my lover's blood biting him under the skin like red ants. 88831 enter my lips roam over him like ants and he beds in me like a stinger. Enter. Escape. Yes.

What I Want


Wanting is a wound happy enough
To bleed into its own mouth.
I want to be white but
I was born a red penance, a sweet stain
Which speaks ten dead languages,
Tap dances before strangers like
A jigger of venom which
Erases its own raw face.
I want to stop living like a scab:
Hard, shiny, born around a hurt.

I want my open palms 
To be dashed with blue, calm.

I want to learn how to receive
With no shackles of acceptance
Jailing my heart.

I want people to untangle in
The sharp, sticky briar patch of my voice.

I want to scale myself to daring new chromatics.

I want to diffuse into this world like mist.
I want to plant my roots in lava
And throw sparks heavenward.
I want new language like fire.
I want to live like a torch.
I want to be neat as a rock garden and
Lush as a rainforest.
I want to mend. I want to break. I want to bend.
I want to know what it's like to be a daisy.
I want the soft, scarred part of me
Understood without apology or apotheosis.
I want cigarettes to be nutritious.
I want to eat potato chips all the time.
I want desire and decision
To recreate me, daily.



This is What I Have to Offer:


These hands which measure garlic
For tomato sauce by touch.

These hands which nimbly knit
The dim flickers of finance.

This mouth which licks the salt
In a day's deft rivulet.

This mouth which learns to tongue
The bloated sting out of routine.

This heart which yowls and claws at
Convention's patched hem.

This heart which shivers and departs
Its capsized wants for
The hub of bright moments.

I offer a hot lunch and
Its sudden God:
A small, impetuous gift
Brewed in the flimsy blue
Hum of a gas jet.

I offer a motion of lava at
The pit of the world and

The luminous conviction that
We are the juice, the pip, the fruit.
Litany of the Inconsolable
by magdalena 

If I could bleed like a straight line into the
Horizon which blinks into swallowing dark

If I could accept if I could open my arms
Wide if I could stand unflinching

If I could unclench fit in my own pocket
If I could pay attention

If needs didn't cram my throat with
Fistfuls of choked air

If I could stay breathless
In the bare jugular dark

If needs could be struck like flint
Flaming put to use

If I could step into the ventricular sun
Recast my shadow

If I could eat my past
Furrow it for planting

If I could ease the urgent now
Into this heart so long untenanted

If I could mentor my kaleidoscope eye
Leave what I see unresolved

If I could run away like rain
Vanish into a plinth of ether

If my smile was not too torn to wear



Subcutaneous


Night's haunch flexes its furred silver. The pant and stroke of
it 
blackens over me startled tricked into air it ticks in my throat.


This night sheds all its tightly wound heat. Its flawed gold
pools in my bedside cup. I am exhausted with hushing the very
ground, 
nourishing the trees' fat white roots.

In order to praise, I bite back. 

The wind's hands are opals which click in the trees. The moon in 
columns dances like a harem in the pale air. I move in dizzy
plurals 
filaments of flesh which sweeten on their stalks nailed to the
root 
with a careless doubt; almost like glee. 



MAGDALENA ALAGNA



The Wine Merchant




The Merchant:
At 43, I had a heart attack.
That brute pain in my chest 
Nailed my breath to the wall and
Chiseled my gall from its rest.

Now words are vinegar in my mouth, like tears
What is preserved here what can be preserved
Everything turns...

And fermentation makes
A deity of a grape.

Suddenly I heard the
Outraged treble of my life
As it seized. I saw my own gears 
Bleed and fall flat on the
Anvil of the clock

I must ferment to its dizzy end
What I began to tread
No separate skin to burst, and
No time for the wine I might have been.


The Daughter:
Fathers give their daughters away,
Sooner or later,
Flapping their palms
White as flounder.
Love and loss and the unsayable
Tugging at their lips like hooks.

Heroism he says
Is taking out the trash every day.
Washing the plates. Plunging the
Black gunk out of the tub.

If this is so, the hero is dead,
Buried in his flesh and the trash it makes.
The logic of his life posthumous.
The hero is an absence.

Give me the Fool for my model, then,
If nothing lasts.


The Merchant:
I want my daughter to be happy.
But the lush arbor of her
Mind chokes out the sun.

She asks if I am happy.
I tell her my life is good,
And she looks at me 
And asks "Why?".

I never questioned my heart 
Until it faltered.
What can I tell her?
How can I sell her the wine I make,
The wine I am, the wine I know...

The Daughter:
His wisteria trees.
His mystery stories.
His opera. His pasta.
The almonds he hulls and roasts.
Does nothing goad him?

He ate my first pasta `e fagioli,
The beans half raw and 
Crunching in his dentures.

He has not once, not ever, said
"I might have wanted more."
When I uncork my rough wine 
He seals it up, puts it away
Trusting age to sweeten the bitters.



Sestina For Samantha


Samantha, your face is round as a coin.
Shiny and summed up; it hasn't spent its value,
Hasn't looked in Fortune's hard blue
Eye or seen Her bland, neat
Mouth pursed over life's plate,
Sealed over the hunger for more.

I want to say a rich life depends more
On how we mint our own coins
Than on printing from society's plate.
Trends can't unmake Time as currency of value.
You will find I'm putting it too neatly
But remember this when in the blue

Of anonymous night threadbare blues
Sing your heart sore for one more
Chance to drink bold spirits neat:
A heart-spilled song is a shower of coins,
Your jackpot, your raw and radiant value.
And I invite you to the banquet. I'll fill your plate.

Samantha, so recently up to the plate
To bat, your eyes unfocused-- still baby blue--
Forgive me for talking of these values
When you are unaware of social mores
And are such treasure-- a new word coined--
Not philosophy, rubbed to a glare, insultingly neat.

Though I'd like to pluck the weeds, neaten
Your path, I know the Fool's trove: plate
And chalice; air and fire; pentacle and coin;
Is enough; is tucked inside your soul's blue
Bottle of senses: all you'll need, and more,
To make a life of deep and ringing value.

Poverty comes only if we devalue
What we know. Doubt's slow knife cuts neat
At first, a small slit and soon there is more
Shifting under our ground's tectonic plates







Villanelle

 

My displaced life rises glinting like wheat.
Days passing seem a matter of sheer whim.
Each morning widens its wide air beat by beat.

I burrow through my soul's dry gathering heat
Held apart from my own vigorous limbs: 
My displaced life rises glinting like wheat.

Each day I come to bear the crabbed effetes
Who whittle days purgatorial and slim:
Each morning widens its wide air beat by beat.

The simple tunnel to my heart is bleak
With bright desires quickly going dim: 
My displaced life rises glinting like wheat.

Each day a struggle, a tremendous feat 
To fit my worn-down life for sailing trim. 
My displaced life rises glinting like wheat.
Each morning widens its wide air beat by beat.



What The Left Hand Says To The Right


Left

I am the analysand 
Who cups bromine dreams in
My palm's brown bowl.
Explanation is a grace
I can't afford. I tryst with
Anonymous persons.
Right

I am the historian.
I am a solo flight home
Using a new map for
An ancient place.
I have outlived myself,
Evaded nostalgia's vapor.
I approach my mind: it is a
Tennis match of doubles in full swing.
I cling like a scarred-over skin
To fire mysteries, and you are
The new red God of a wrecked cult, 
A torpid war with origin.
Your palm's pattern is currency.

I bear grace's diligence like a compass.
My spirit languishes, a lab rat under a
White-coated, awful observation.
I fail to master this world's
Complicated air.
Flesh bites like a shackle.
Smear me with my own salt
Let me stand in the sun.

I could tell you about boisterous
And ill-formed wind, and about
A man-shaped absence.

I have outlived myself by gossiping
About me in the third person to a
Blank blue hotel wall while
My lover fetched coffee and
I fingered the Bible
In the bedside drawer.



This day


This day is a thin-lipped woman in a gray office 
This day is homeless sleeps on grates in filthy tarp 

This day sidles up on needle thin heels grasps a lower lip 
	in its white teeth clucks over the
economy shakes its red nailed fist at the flock of children
crossing against the light 

This day's morning wiggled my hips This day wags my tongue 
This day outlines me in red and gutters in its blue cup 

This day truckles and bows stands meek wears religion 
	and polyester
This day scrubs me white divests my vespers

This day pines on the vine 
This day drives my sight like an x-ray

betrays every motive strangles every votive grace 

This day spends too much mends too little 
This day will sigh its frayed red breath into night






Artemis


The white fur of the stars, the Great Bear
Dispenses her dark and fiercely burns,
Crouches and wheels in the vast air,
Rousts the cub I am. I would learn
From her stark face which Fate stares
And sparks the challenge to earn
My life which barks from its black lair
And waits silver and sure, yet unconfirmed. 
Oh Goddess I take the gauntlet, life's dare
And all its death: I'll not squander this turn
Of the wheel mewling soft and scared,
Unsprung from the seed, undiscerned,
Closeted inside my flimsy skin. I'll be
The huntress with courage hot in me. 



Million Woman March


Women are rising at dawn with breasts full of milk.

Women are waving batons at crossroads.

Women are paving streets, building bridges, adding figures.

Women are giving praise in the direction of the sun.

Women are eating eggplant for lunch.

Women are learning the synergy between waxing the floor and
polishing the moon

They are placating the dead. They are growing honeysuckle and
making drums.

Some, today, are buying tampons.

A woman is not a cog in the machine. Every woman is a seed.





Scheherezade Tells the King Her Story


I.

This, then, is the story:
Once I read comic books.
Once I parroted the Catholic mass
In the dark of bedtime with my sister,
The soft guts of Italian bread
As the host. I was the priest.

Once I slipped like a flying fish
Out of the bath and wet foot-printed
All over the house shrieking,
"I am God! God doesn't wear any clothes!"

I was six years old.
My mother was alarmed with me.
I refused to let the dentist look in my mouth.
I had the best vocabulary in my class
But did my math homework in invisible ink.

Once I was a tomboy for a week.
I pitched a softball game and climbed
The pet tree we called George.
I sailed to Africa on a blue sleeping bag
Draped over the stairs.

II.

This is also the story:
There was no one disappointment.
All I know is I stopped
Reading comic books and the kids
Took shots at my chest in dodge ball,
Positive I had tissues in my bra.

Once I went to sleep early every night.
Asleep, I could fly.
I flew to London and danced on
The hands of Big Ben.

Then, I had a dream.
A snake crawled up my thigh and bit
Deep inside until the blood came.
I stood in a river of blood with
A single curled oak leaf at my feet.

III.

Once, I loved a man
Who looked like King Arthur.
The moon shining into his room at night
Made a blue web over the bed.
I called him the dreamkeeper.

We knit our skins together like
The covers of a well-worn book.

I don't know what happened.
A slow-cooking anger, then
He went blank and addled as the wind.

I learned so many stories,
Like bridges, like medicine; I spoke
My exoskeleton to the world.

IV.

This should have been a dream,
But it wasn't. 
I was pregnant. I was seasick
Walking underwater through the day.
Every story I knew
Died in my mouth when he said,
"You know what to do."

I'll tell you what I did.
I went to the doctor's office.
There was a machine there.
It looked like a snake.
It crawled up my thigh
And bit me deep inside
Until the blood came.

V.

Now,
I am a roman candle pasted to its own spark.

But your story slips into 
My mouth like a virus.

I have dreams that I am a spider
That my life's web is needlepoint
Seen from the back, 
All snarls and knots.

This is the story:
Men overexposed me
Like film; I burnt white to the edges.

I could not rely on my skin,
believe my own mouth or
trust my hands,
punished for their skill, cured of clutching.

Now my eyes frame you free of their history.
Tell me a story. Let there be lightning 
which strikes a tower.

And I will speak a story right now
Of someone who was unhooked from the light.





The Mermaid's Reply to J. Alfred Prufrock


Let us go then, you and I
When the moon is high in the sky
Like an eye wide with delight.

Let us walk upon white shores
Buffeted by restless seas,
Waves which flood you 
With an overwhelming question.
Oh, do not ask, "What is it?"
Let us go and make our visit.

In the room the men are talking low
Of the women who come and go.

The phosphorescent coral lights
A question to the blank sky.
And indeed there will be time
To create a boneshell cage
A house for your hunger to
Greet the hunger that you meet.

In the room the men are talking low
Of the women who come and go.

And indeed there will be time
To urge you, urge you to dare,
But time, also, to see you
Knot your fists in your hair...
In a minute there is time
For the essence of possibility
To vanish in an instant.

Oh, I have known them all already, known them all--
The mendicant beachcombers cursing
The reticence of the lip of shore
And the sheer thrust of coursing wave both.

And I have known the eyes already, known them all--
Eyes that let me see to the prurient bottom, bare
(but beneath the moon, glazing over with a hard stare!)
Is it the memory of his fright
Which calls forth all my spite?
And how should I begin?
And why should I presume?

Shall I say I have been
In the bowels of convention
And watched pride choke on its own desire?

I am the song which answers itself,
Borne lightly on the swallowing sea.

You sleep so peacefully!
Should I, heeding Poseidon,
Elucidate and then impersonate the crisis?
I am a priestess; the greatness of the matter:
There is never a seizure of momentum
When fear clutches at my ribs and then folds up.

It is worth it to say
I bear witness, I believe
Though they have all said,
"Finally, you know, this is meaningless."

I am no Ophelia
Though they would have me be.
I've been to the nunnery;
Rutted and worshipped at the altar of Love,
Always with courage to play the fool.

I grow young...I grow young...
I shall reinvent the world with my tongue.

Darling, grow your hair past your shoulders
Or shave it all.
Each cherry after cherry and then eat a plum.
Wear trousers slit to show beneath
A crescent of naked peachflesh.

When I sing, my voice marries the air
Which is to say,
If some thread of melody carries and reaches,
Quickens you on the narrow strip of this beach,
Darling, I am always singing. Listen.




Poem For Her 29th Birthday


I used to be growing up. Now I'm dying she said

Just as if her round basin hat wasn't lavender.

I used to be growing up she said though
She has yet to raise orchids
or learn the tango
Though there is Paris and 
comparative literature

I'm dying she said
As if we'd never yelled at each other
And made peace over lasagna.
As if the mirror could refuse or thwart her.
As if she was not water and death
Was not the breast stroke.

I used to be growing up she said as if
Letting go each day did not
Stitch us to the wind mote by mote.

As if it might not be nice to go
Shuck this flesh suit and
Slide oily past the boiling stars
Becoming at last one necessary spark.

I'm dying she said
Though death is a convection and
We unformed are waiting to rise.




How I Became a Single Woman


When I scraped off my parents who had
Hardened around me like a scab,
I became a single woman.

I became a single woman by
Eating dinner in the graveyard,
A tree doubling as my spine.

Through plumage: dying my hair purple 
And doing my nails blue.

By eating my heart raw, nights when 
That mean, orange-haired lover played guitar.

I became single by attending
My friends' weddings in a
Tuxedo and black sequined bustier.

By not shaving my legs for six years and
Wearing fishnet stockings.

I became single by stomping on
Myself with the unerring grace of
A flamenco dancer;

By flexing my scar tissue at parties
As if I was double-jointed.

By having days when my skin is
Rice paper and I fold myself up
Like an origami bird.

I spread eagle alone in bed
Make angels in the white flannel sheets.
I am not separate from anything.

And I stay single;
I sprint to my car in storms
Cuss my wet socks and sing
Ella Fitzgerald loud,
The window cracked, rain in my ear.



Here's What's Cooking


The text of my life is annotated by
Grocery lists on the desk,
On the floor of the car,
Washed and wadded up in pockets.

Wherever I've been, wherever I am,
Lists and lists stuck in jackets
Drizzling from my purse to
Skitter across parking lots and
Race newspapers across the street.

They stir the air, they say:
My nourishment depends
On fire or time combining
Ambitious mixtures.

The lumps of sticky notes
Which sift together
Make a mood mélange:

potato chips chocolate Dr. Pepper
period is coming: hormonal fracas of
craving the 4 food groups: sweet, salty, crunchy, caffeine

onion garlic sherry ginger
problem solving: release tension by
chopping lots of broccoli, then stir fry

red peppers fresh mozzarella foccacia
homesickness: I want my mother
to be like this bread soft in my hands

When under duress, I bake bread all night.
I recite ingredients and procedure,
yeast flour knead oh please
please something must rise

When calm, I cook soup stock,
Use fresh rosemary.
I mutter happily with pepper-pot mouth:
Lentils, parsley, shallots.

At work, I dream during deadlines.
Suspicious scribble lurks in report margins:
Acorn squash. Cinnamon. Sage.

On weekends I hide in the kitchen,
Unplug the phone.
I sing in full flavor with tasty tongue:
Tortellini, samosas, pierogies.

When partnered, I dip strawberries, bake brownies.
Notes greasing the bottom of my journal say:
Sugar. Vanilla. Butterscotch.

When single, I dine on chips and refried beans or
Invent fried plantain burritos.
Notes garnishing the fridge say:
Cilantro. Anchovies. Gorgonzola.

After mingling in this soup, all I ask is
To be poured down Kali's warm gullet
Spicy and tender.
Let me be perfectly done.






Ode For Callipygian Women


Callipygian women, my pigeons,
Your physique speaks of industry.
You walk down the street and the air
Skirls like a delighted calliope.

Callipygian women, doves
Flutter in the delicate calabooses
Of your ribcages;
You carry your hips like
Basketfuls of mangoes to market
On a tropical July day, captivating.

Callipygian women, be unabashed
Over the calabashes of your curves.
They hold calypso in their strokes,
Oh birds of Paradise,
Oh phoenixes rising.
Who can calibrate the effect on the heart
When callipygian women undulate through a 
Bright sea of trees in the park,
And onlookers fall apart,
And reconstruct their calendars?

I'll allow no calumny of callipygian women.
Like Caliban, they are slaves to a higher art.
They are the calyx which circles
Appreciation of abundance;
Dormant, but precise as calculus.
Calendulas in a garden of daisies.

Oh, life. Oh, all things circular
And wavy, cyclic and intrinsic.
For they will not be slats in a fence.
They will not be ironing boards,
Or mere slips of girls, or chits.
They will not be honeys or twits.
The cry goes out for spirals,
For the world turning in a gyre.
Callipygian women, the calipers.



Peter Sellers Meets Ravi Shankar and George Harrison


When you met Ravi Shankar I'm sure
You heard drumbeats sneaking into his shoes.
George Harrison, of course, had cymbals stuck
Like coins in his trouser pockets.

And you induced lightning.
And you ate a mean lentil dal.
And streets were paved with marshmallow. 

Peter, did you show them your inner peace
Rising up like melon seeds? Did they see
Your favorite willow tree who looked
Like a straw-haired lady?

Peter, you brought your two dimensions
To them and they folded you up like
An origami bull and forever after
The west wind had a different flavor.




Peter Sellers Reincarnates


Astrally, you haunt the circus.
Do you see me waving from the erratic carousel,
Tinny music on my lips?

I would know your spirit anywhere,
The chocolate-liqueur smell of your aura
Like sweet tobacco.

Dear ghost you have passed through me
In ecstatic heartbeats and
Amber beads filled my palms and
We took gulps of summer air when the
Girls are wearing peach on peach.

I was eleven when you died and I know
When a precise shard of your soul
Flew into my keeping. 

Corinthian man, dissolute,
Deconstruct me.
Let the tawny invade us, finger and hair.
In your new life, you might be
Serenading under a senorita's window.
Pick me up at eight for a tango on the town,
Wearing the boldest silver buckles in your shoes.



Love Your Vowels


A is for adder, asp, and ache. A is for abstract and absurd.
A is the alibi of altruism, The almanac of ambition,
A is an Amazon. 
A should be pan-fried in an adobe, under an azure sky.
Love your A's. Play with them. Teach them games.

E is the sound of incipient ideas.
E is for epiphany and echo. 
E is for eureka, effrontery, effluvium.
E is Promethean, shaking its E fist.
E is for elipsis... Also for epilogue: E is for evolution.
Love your E's. Take them to excess.

I is inebriated with itself. In America, I is its own poem.

I is for the Immaculate Conception
I is for the Inquisition. I is for Idolatry.

Love the incubus of your I into submission
For every I was born in innocence.
Teach your I the lotus position.

O is the cipher of desire: round shocked mouth long moan.
O is for October and a witch's eye
O is oblation and waiting to die. O is for obelisk which
glorifies.
O is the glue of love. Love your O's. 
Notice them. Stroke them. Bask and soak in them.
Treat your O's like warm rolls.
Butter them and eat them whole. 

U is ubiquitous. U is for ungulate. U is for horseshoe.
U is the barnyard vowel, the circus vowel,
The prostitute of the alphabet,
With the communal values.
Love your U's: amuse them.
Teach them to write haiku.
Buy them smell-good shampoo.




The Wolfman In The Stages of Love


I. Desire

Love can and should be had just for the asking.

In Buddhist monasteries, there is a rule:
If two monks pass one another in the hall,
And one calls out a greeting,
The other must answer, "Hello!" without thinking.

The moon is an unleavened flour girl
In need of my transformative fire.

II. Affection

Under the moon's tutelage,
I have learned to consume steak
Instead of women.
I am a tantric lover dressed in white
Who can go and go and go all night.

I tend the night-blooming jasmine.
I live in a cottage with the village witch.
I repair her busted plumbing.

Every night she becomes a wolf
Together we roam the forest
Lovers rush through the trees
To run their fingers through our fur.

III. Knowledge

Love is a question, not an answer.
I have a pocketful of keys
Forged from Love's silver bullets and
Humbly I approach the moon's door.



Litany of the Inconsolable


If I could bleed like a straight line into the
Horizon which blinks into swallowing dark

If I could accept if I could open my arms
Wide if I could stand unflinching

If I could unclench fit in my own pocket
If I could pay attention

If needs didn't cram my throat with
Fistfuls of choked air

If I could stay breathless
In the bare jugular dark

If needs could be struck like flint
Flaming put to use

If I could step into the ventricular sun
Recast my shadow

If I could eat my past
Furrow it for planting

If I could ease the urgent now
Into this heart so long untenanted

If I could mentor my kaleidoscope eye
Leave what I see unresolved

If I could run away like rain
Vanish into a plinth of ether

If my smile was not too torn to wear




The Magdalene Speaks


The only reliable fact is that I saw Him risen.
One might say I was a repentant prostitute
But that smacks of editorial license.

Simple: I knew a Vegetal God when I saw one.
Afterwards he rose like bread and
Showed himself to me.

Let me tell you about the miracle of
The loaves and the fishes.
He gave the lepers salmon.
The fishermen, trout.
The rich merchants, carp.
Only the children wanted white bread.

The water-into-wine wedding miracle was different.
Only wine like red water, maple leaf-stained.

Let me tell you about the devils cast out.
One gloved himself in a butcher's flesh;
He sent me presents of bloody meat.
One became a baker and supplied my evening rye.
One was a tax collector who requested
The payment of my tears in a blue bottle.
One a social worker, one an addict;
The 7th devil migrated to the roots of my hair.

What I learned concerned language
And paying close attention.
I still announce resurrection when I see it.