Photos of the author.
![]()
FROM "THE DEATH OF
SATAN"
by
GREGGLORY@AOL.COM
La bellezza chi io vidi si transmoda
non pur di la noi, ma certo io credo
che soloi il suo fattor tutta la goda.
The beauty that I saw transcended
all matter of measure ... past touch...
I believe certainly
that only he who made it enjoys it totally.
--Dante
Leaning against a warm curb at the height of summer some years ago, a loose
knot of theater people speaking with animated or distracted faces on my righthand
side, and staring down at my gripped hands lolling between the fold of my
knees and up at the dim stars in the humid air, the conversation turned towards
the subject of first memory. Whether, once out of the womb, any memory depends
on the ability to say that one recalls some image personally, that some 'I'
must be present at the recollected moment, I do not know. If it must be so,
then the first memory must be of alienation, a gasp at the recognition of
some diminished 'I' against an overwhelming 'Other.' As the talk drifted
past me and went on to some more current subject that has now lost its
signification, there came before my eyes the image of a brilliant chameleon
waving on the bitten tip of an infant's pink finger. It had attached itself
by the teeth to the wormy finger which shook its mutable body in time to
an unending wail against a sky half filled with palm fronds amidst the blue.
Somewhere between the floating blue and lime green, the chameleon was wriggling
in the middle of its liquid changes, the infant wailing at the lost beginning
of his. I remember that flexible skin. The Jamaican atmosphere. The universal
hue things seen in childhood retain. The chalky concrete of the porch's
balustrade that had been poured in decorative shapes to admit a mixed light.
To the left a swimming pool warmed its blue belly in the sun. The chameleon's
bite had surprised me; I cried. I forget much of the intervening years; much
of the last few weeks; much of yesterday; much of this morning. And I remain
firm at this present instant only about the distant past --- faces and wreckages.
A few human shoals scattered in the waters.
Epigraph in a Burned Book
Viewer, passive and bucolic,
Sober and naive man of simplicity,
Eject this book of Saturnality,
Unless you licked up your rhetoric
At Chez Satan, that sly boy doyen,
Eject! you won't comprehend an ounce and
You'll think me a flaming hysteric.
But if, without falling under charms,
Your eye can plunge in the gulf:
Tolle, lecte, and apprehend my love's alarms.
Soul, curious and suffering,
And lost searching for Paradise,
Caress me... or else: Sinon je te maudis! C.B.
Flatterers Among the Roses
Does the moon sail in its sumptuous heaven
Disfigured by pity,
Blindly tearful in an icy lair?
To walk in the moonlight to trod
The verdant ambers, and to think of nothing,
What sort of matter for a poem is that?
Is it a matter of having nothing
In the mind, icy sequester
Of nothing, of nothingness layered in its own absence?
Or is it a matter, rather
Of nothingness icily conceived, icily meant?
It is a matter of sinister consequence.
To walk in the violet moonlight
Discussing the moon from which it flares
Disfiguring the roses
Is a kind of nothing, a suave
Hollowness that we may hold near
Or suspend between us as we walk---
O savage celestial, misty moon,
Snarling in your lair, speak,
If speak you must, in dismal syllables
Some more blatant human meaning.
A Mocumentary of the Sun
One bakes and waits in the roisterous sun
Tapping out universal time with a particular foot,
A principle shoe, worn leathers unable to reflect
The merest shard of all that solar crisis
Burning in the sky and in the apperceiving chest
Like boxed jewels winking out of showiest velvets,
One waits for the desert to be done with itself
For the holy sequoias to drop their arms,
One more martyr, torn down by storms,
Reduced by the sun to one skull of dreams
Throwing one more shadow away from the hill
Like a river that flows out of the mind at last.
This earth of cakes and sweet excrescences
Lets us eat the loam, lick saccharin sands
From our lips, taste smeared blazons of cotton candy,
Raspberry and chocolate, the florid saps
We bite from the tree, laden with glistering fruits
We ourselves have made, and ripened in each eye.
Blank Generation,
or,
the Death of the Muse,
NO, HARDLY
Defeated by the paraphrase, or nearly,
He puzzled out a dwindled life-- in poetry
Who, perennial importunist, assessed
His era unfit for 'the best.'
Defeated by the paraphrase,
The inexact guesswork of sleepy heads,
Reciting lines of despair, never knowing another,
Never sensing, in their age's indifference, another
More enduring light.
No longer
The Ariel feeling
Or whipping spirit stronger
Than an evening's reeling.
Not a mirror to the muses' face,
Not Helen, limitless in grace;
Never divinity, never the light angelus,
Nor any, still ephemeral, 'sublimities.'
The age demanded an image
Rapped in cellophane or bandage,
A brain of eaten hates, or laughter
Soulless out of deadened waters.
And no one left to give a damn about 'the Graces,'
And the reviewers live on, indifferent---
Slaughtered Beauty shot in the face;
Apollo and Bacchus hanged in the neon marketplace;
Cold feet under etherial faces.
II
Untouched by the amorous,
Stripped
Goes Eros, incomprehensible
To "the masses.'
Hieratic verse,
Each head limned in light
Suffers the obverse,
Blotted rummagings of a blotted sight
Yet still he felt, with a savior's amour,
Neither drugged hedonist nor yet a bore,
Limitless possibilities
Like so many leaves
Clinging to the ancient portal's wetted door.
The percipient shall rule, discerning
'Neath modernity's fractious overlay
Here an emerald, there a ruby, thing:
Sustenance enough for poets in the ruby day.
III
Villains are feted in peeling shoes, and garlanded
Is Ginsolds, the great damaged head
Thrust into the atmosphere,
Impercipient, the small eyes dead in their spheres.
Seeing in earth neither paradise, nor fit habitation,
The Ginsolds of his father's scabrous generation, -
Monumental dinosaurs of the heart--
Researched dung and drugs for their start;
At first, a religious pre-occupation
Made them stare at Sunflowers and feces,
Purporting maculate Bhudda in the rose
Of an anus in dilation.
Tarry pools
Accept their coral bones,
Steeped in excesses
Of the incorrect and religious.
"BLACK ORCHIDS ON THE RED DOOR"
Black orchids on the red door;
Fitfully the raconteur
Consigns the ownership of elegance
For a few hundred dollars, for a 'superior' glance.
Black orchids on the red door
Mark the poet's stipulated habitat.
Depression afflicts; he begins to yawn....
Stretching away from the world with a bored 'eclat'
Exhausted by his meditations on the black
Orchids on the red door, of a few, niggard, dark,
Striations intermit with rose;
Guilty only, in his ichorous lair,
Of a certain
Kempt Baudelarian repose.
MON HYPOCRITE LECTUR:
Ginsolds of the foetid spawn
Patched with no forgotten pulchritudes--
Vulgar paucity faintly echoed
In the weak light of decline.
Mr H. (insert your name here), possessed of an anesthetized soul
Blathers his useless abstraction,
A tongue-tying of half-felt immolations
---Unendurable! if not so falsely done.
Enslaved imbecility defiling life....
The age demands an image,
The image that we give it!
We demand the eternal image,
Absolute, inscribed, violet, blessed....
DBD
"EVEN WHEN I'M DOWN, I Hear SYMPHONIES"
Apollo and Bacchus hanged in the neon marketplace;
Cold feet under etherial faces.
Bore-ed by the lack of temerity,
Slack desire suborning the bandannaed faces
Of hippies contented by Peace, and not Energy;
Marijuana leaves placidly
Shading the crib and high-chair.
100 punks, or fewer, or one,
Concoct out of impossible desire impossible reality:
Burning ambitions in Waldorf, or SoHo's zone,
Shed from the aether
These symphonies.
With a tongue of justice,
With an eye of fire,
With an ear made fabulous
By beloved mind's one wept flame: desire.
Rotten's masquerades,
Sid's pinioned victory,
The burboned voice of Hell establishing 'blankness' as priority
In a world floating valueless; incisive,
the eye of ice.
Aching faces brave the astonishing light,
Asserting TRUTH in ecstatic sanction;
Our redemption was individual,
London our capitol.
Our 'decade' compressed to "'77!"
We acknowledged, as aftereffect, a fey, uneven
'inheritance' of 'reticence.'
Youth as a remembered depravity
Gives no living soul satisfaction; relentless
Sojourning away from their parents' questioning
Consigned to them the 'aridity' of bliss.
* * * *
When dust hath hushed the roses,
Unmediating silence
This crimson-ochre splinter of song
Encloses
On time's blank slate
Lick this, and relate:
'Here twists,
With upraised fist
An Anarchist!'
HOW TO WRITE A VICTORY INSTEAD OF A TRAGEDY
Exile first the inconsequent
The casual hand,
Speech procured at secondhand,
Opinions possessed for an 'effect.'
Recast ANAKE as the actor's whim:
Vital eyes
Outweep all that tragic circumstance,
Lear and Cordelia locked in paradise.
Catastrophe hacked at Hector
In his skirt, but the Eumenides
Themselves were mild when Antigone died,
Singing at a string-end in the tomb's lee.
Become Promethean, to this purpose:
Amid lesser qualities, personalities and such,
Swimming in unexamined idolatries, personalities and such,
Inscribe what I equate: Man = universe.
DECONSTRUCTING THE DECONSTRUCTIONISTS
Philosophers of stone
Ungainly shift
By love's bright drift
Undone.
Of unbodied air
Came spirits' enhancing;
Never a Dunciad
But angels' hearts made glad.
Impeccable sirs
They discerned
Exegesis
Spit in sand.
Outing
No Transcendental Impulse but then
Invaded, sense by sense, and sense by sense again!
Confused, harassed, stammering, half-mad,
I arrived at a mountain stream's small source alone
Whose each mere moment of dropping flowing
By dropping more intensely flows. Heart's-blood
Stuttered along the tongue of solvent air
Following out the stream's wanderings apace
As if my liquid's hush through every cataract
And canyon-enhancing rivulet did move;
What weariness then penetrated every limb
Which had flung itself the whole blue morning through
Like a ceaseless wheel! I lay a lonesome hour
Upon a table of stone spined just so long
As myself from dead heel to skull-top
Imagining its travel! By my veins
The moss-indentured rock with iron force
Is cracked, a hammering flow enveloping the mass
With pale empurplings and smooth-prompting bulbs of glass
That maturer nature had given a more rugged touch.
So I lay sun-warmed upon that human stone,
Neither foot nor head beyond its grating cradle,
Until all that made me I un-made
Then wove again together in eye and ear;
As if sunlight spoke and sound gave voice in light,
All these before me in hazeless dazzle floated free
And I consigned them to their Liberty!
My rushing emerging blood swept past
Cochlea and ear-drum in bird-like thrum:
Stream on stream ascended purer air in song
Til all was bathed by part, the unaccustomed whole
Of oceans leaping from my spring! each martlet that sang
Told some note of me; myself had stained
Sky's unstarred majesty with pinks, and in a wink
Sent each sense sharpened as it spread
From azure zones of whispered fire
To the old pond's own cool shadow of repose
Til every busy sound was somewhat tinged with red
And every shifting leaf, dew-shadowed as they were,
Burned outlined by that bright delight
Their own laughing motion shucked from them in sound.
Then a purple rain, it seemed, descended
In answering haloes shaken from the sun
And broke in its descent to mist, hallowing all.
No part of the under-sky receded
From that pursuant touch,-- but rather
Rose to its own undoing in erotic rapture
As drones to their honey-loving maiden-queen
Lift translucent wings in flight;
Leaf and leaf in murmuring applause
Stretched on each twig-end toward that sky!
The stone that held my casing seemed more up-raised
And the low appearance of the swimming sun
Took on a duskier and a closer tone
As if it wished to immerse itself again!
Strange mist was everywhere, endowing each
Glowing glen that lay as little as a lens.
Strange mist had wrapped the very bowsprit of the rock!
My own skin was mist-engrafted!
Within, my own departing heart,---
So whirled with-in and -out with the luminous,---
As pulsant globe and center now resolved.
And on this thought my mind no longer moved,
By spells of rapt intransigence inly held,
Til all that had its faultless action once impelled
Conjoined to conjure pause; sweet was the wind
That kissed my aching lungs with such sweet breath!
All piny, with some sunny hawthorne scenting mixed,
---Even still that air is fresh within me,
Even still do I desire the clearness I had then!---
For one hour's welter of such unwon wealth!---
For then I had found out-- in clearness still
Do I see it!-- motive of moon and sun and sincerer stars,
Our perpetual guest, the unsullied source of glory
That limned my out-flowing veins in rivers'-light!
Out, out of the very center where my spirit slept
Flood called out to flood and flood responded
Out-pouring Life! there, there are the harmonies!
There the endless systems counted back to One!
There the measureless Space contented
To a water-drop! There echoings on echoings
By their velvet source are hushed!
Anguish and insistence vanquished by a touch!
Nightmares and chimeras chastized by a love
The soul's own shaping power makes animate!
Slaves of Glory
The very astonishing hour has come.
The very astonishing hour indeed!
Green Heinekins, jade brain and rose-coral vodkas
---Exhausted! In one final, fantastic evening.
Hosannahs invade the empty windows,
spurs of blacks, mysterious
As the tender invitation of the body.
Bright, alcoholic after-haloes sift
Timid ash upon stale, upraised lips.
Sobriety has entered us
As mourners enter a white church.
Enough of this pathetic quietness!
This simpering, dog-like wish for 'temperament'
The madness of faces full of 'sound judgement.'
I forgive all disasters, all accomplishments,
Every disguise that announces 'I am finished!'
Choking its inhabitant as a mirror chokes beauty.
Songs of sporadic intensity, wicked verses,
The poem of flayed skin, blind eyesight
Mutes imagining laughter, I forgive you!
Pathetic quiet!
Bring tympans, wild sibilants,
Drunken elephants of sound, mists,
the harsh clangour of brass.
New eyes, new hearts, new senses!
Bring a speech of bloods, the invention of Angels!
Why was one ever afraid of waking?
Eh! a little daydream I had in the haypile.
But now the new era has arrived --this moment!
Let us revenge the sky for an hour!
Let us run out muds of new births upon us,
And seize in hands of ice the very flowing waters--
-Dreams of incorporeal perfection!
Dawn leaves splinter in my eye
Enacting the death of Satan.
Vertiginousness in the closet!
Very astonishing!
For Tenor Semblance, Who's dead
'What things real are there but imponderable thoughts?'
--- Ahab
There was Tenor in his party grave, sharing
All of the same old sick jokes with himself.
1
He says, "What is there besides imagining?
These four occasional walls will not bring
Spring or sorrow to any unsuffering thing.
It is the will that wanes, in summer dark
After clogged stars have scraped the sky and left
A newer dark for some cold singer's questioning.
Rusted apples gathered, honey melons dusky gold,
Cherries rosing in the tinted sun, what was invented
If not these things? Shall my hand remain
Unfloured by its own effort? A pointed oar
Plunges and plunges in a white war and remains
An oar. The mind is not so meager; it becomes,
Once its rent raiment roars, in polychromes
Above chalk waters that it held and gave,
That of which it sang and did not hear, because
Too busy singing in undivided, tensile mystery."
2
If, on the wings of sparrows, men's feet shall flesh
Who shall fly, in contrapuntal destiny,
In waltz time, alone, beneath
The unceasing testament of the waves?
Tenor Semblance in his water-wings, bulbing
At his back held his breath and dived, at 4,
Into the tossing terror of a tame sea.
Once caught among the coral's shadowing, he saw
The flash and error of dying fish in that dim maze.
Their antlered looks and opalescent eyes
Placed a holy horror in his slalom breast
Racing, among more mobile lights, out of death's
Abrupt shade. He knew of earth by this
buried paradise.
He told his parents of the sharking waves and sea.
Alone,
His executed gestures in scarred sunset seemed
The switch-back hesitancy of leaves.
3
It was his mother's going, her poignant death,
Like still water, that made him hear
Curlicues of God's named trumpet world.
A French horn paddles in his ear;
Finches mocked the minister at her wake, his frown
Emitted solo labyrinths, corona icicles of round.
Tenor Semblance. leaving, knew his feet
Were tambourines, clashing in the grass.
And when he whispered, it was with sorrow
That he could not ring himself a barrow.
In her twinking time upon this mortal orb,
In laundered air, tender sequences
Of love and love, flashed from her bright center
Like perpetual suns that sang and knew their tune.
It was because of her he sought
A personal, vocal dew.
4
Semblance swelled in his soft decor,
Like an awkward Alice, he used his vital eye
To distill a separate scenery in the dwindled grass.
Little thunder smoked the mountaintops.
Gnats as vultures bulked silence on their prey.
But a swung censor, sacred scenting, never lends
Its incense to these more airy, tendencies.
Neither garland of flowers, in a stiff ring,
Nor any distincter bloom was worn.
Victim in winter, he tried to say
The measureless landscape he became:
Desolate branches, details of packed snow,
Paired tracks of deer, or south-seeking geese
Dispassionate as the sky. There comes
A crowd of moths, an abrupt lamp flapping
In discontinuous circles as he speaks.
5
But should we sacrifice infinite finesse for that
Snowblind and last, fatal profundity?
Sonless Semblance once, with gagging glands,
Turned abrogated Pa; the wincing world
Trickled from his groin. He clawed out an eye
And dived, lost in a reef, resulting in a sky
Made blue, by harshest imagination, by
Exclusionary rules. Was it a mincing butcher's
Cleaver thumb, his abusement of a One,
Chopping up the single digit we pretend?
False finesse? The sky was blue; he claimed
To be the author, and his grave
Was dug in blue clay; bluets brushed the edge.
His mineral bones are scavenged by worms that die.
Thus we see, beyond cut division or misty ending,
Death is daughter to imagination's venting.
6
A man Is Image and Is sound,
Imagining sounds; a blare of being
Scribbled like a cloud, pinched nothingness
Palely resembling himself, in a mirror;
Unalterable shadow, that falls
As seasons fall, in whitest trumpeting.
Thus was Tenor in his dirty grave,
In severest evening, uttering
A few, essential words, In his halter,
Dawdling day undid the staunching fist
Of night and materbirds like mandolins
Twanged his very song. They were his toys, who,
Hautboy accountant made of his breast
Final register. A second heaven, set
Beside the first, is best when we forget
Ourselves in what our wish of death becomes.
GREGGLORY@AOL.COM