Knowing the Moment by Emanuel di Pasquale

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Mar 072016
 
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Knowing the Moment

Authored by Emanuel di Pasquale

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Love is the Mouth

Love is the mouth
that tears rind,
that chews pulp
and sucks juices.
Love is the mouth
that swallows seeds.
And love is the mouth
that bitches
at orange bits
stuck in its teeth.

From the Introduction
There is something elemental about the poetry of Emanuel di Pasquale, an immediacy that comes from a direct and visceral relation to whatever he is writing about-whether nature or human interaction. It is the kind of directness that di Pasquale admires in Whitman and Dickinson-evidence that he, like them, has more than an academic acquaintance with the world and its changes. He has experienced them and understands how to make us experience them, too, through words.

 

About the author:
Emanuel di Pasquale

I was born in Ragusa, Sicily, in 1943, and came to America, by ship, in December of 1956.
My mother, a clairvoyant, had a vision: if she brought me to America, I would accomplish great things. So she did. I went to Sleepy Hollow High School, in Tarrytown, New York, and graduated in three years. Then I went to Adelphi University, English major, and then went to NYU, Greenwich Village, for a master’s plus in English. From 1966 to ’68 I taught English at one of the original ‘Negro Colleges,’ Elizabeth State University in North Carolina. In 68 I moved to Middlesex County College, NJ, where I am still teaching.

Book Publications
My first poetry book was:
Genesis (BOA Editions, 1980)
Then came:
The Silver Lake Love Poems (Bordighera Press)
Escapes the Night (Gradiva Publications)
Cartwheel to the Moon (a book for children, Cricket Books, 2003)
Europa (Gradiva Publication, 2006)
Writing Anew: New and Selected Poems (Bordighera, 2007)
Siciliana (Bordighera Press, 2010)
Harvest (Bordighera Press, 2011)
Out of Stars and Sand (Gradiva Publications, 2012)
Love Lines (Bordighera Press, 2013)
The Ocean’s Will (Guernica, 2013)
Self-portrait (The New York Quarterly Press, 2014)

Prizes
The Bordighera Poetry Prize for translating Joe Salerno book, The Magnolia Tree, into Italian.
The Raiziss de/Palchi Fellowship from the Academy of American Poets for translating the poetry of Silvio Ramat.

Translation
Among my many translations from the Italian is Dante’s La Vita Nuova (Xenos Books, 2012)

Editor
I am the editor-in-chief of my college’s literary journal (Middlesex County College). For a number of years, I was the poetry editor of Chelsea, a NYC literary journal.

Old Friendships and New Projects

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Jun 242012
 

My new project is to illustrate and notate my old “Rehearsing Repetitions on the Rappahannock.” This is a book I adore, and which no one else really cares for too much–like “The Departed Friend,” which was about my feelings of loss when Jeff Moller stopped being my buddy. I did eventually send a copy to his last known address, but he returned it unopened, just like the Weird Al Yankovich tickets I had sent a few years earlier. It is difficult not to reach the conclusion that it is oneself who is the toxin in such relationships. But I believe that I am not, even so.

I think I am a giving, and even generous, friend. And I see the beauty in beings who are in need, and extend myself, perhaps uninvited, into their world. It is this quality of “uninvited,” I believe, that eventually wears thin. When the subject of my interest and affections grows strong with genuine self-worth (perhaps partly, I egotistically state, from contact with my unflagging approbation of their being), they look back with disapproval at who they so recently were, and exile or dismiss that past. I, as an associate of that past (and an approving and loving associate at that), must be exiled as well. To continue in friendship with me is to acknowledge a continuity between their own old bad self and their current stronger, healthier self.

“Whatever gets you through the night,” is a song that comes to mind. If what gets you there is base betrayal of loyal friendship, well, that is preferable to death–or the death of one’s self-concept (self-conceit?) in any case. Or so, at least, I believe, wanting to forgive rather than forget my old friends and those dear to me who have “moved on.” Even as I sit here, fingers lightly aligned on their home keys, rancorous and angry.

Jun 282011
 
Gregg Glory (Gregg G. Brown)

Gregg Glory (Gregg G. Brown)

Gregg Glory [ Gregg G. Brown ] has devoted his life to poetry since happening across a haiku by Moritake, to wit:


      Leaves
      float back up to the branch--
      Ah!  butterflies.

He runs the micro-publishing house BLAST PRESS, which has published over two dozen authors in the past 25 years. Named in honor of the wild Vorticist venture by Ezra Pound and Wyndham Lewis, BLAST PRESS is forward-looking and very opinionated.

He still composes poems on his departed father’s clipboard, which he’s had since High School.

Published in: BlueLINE, Exquisite Corpse, Blunderbuss, Monmouth Review, Asbury Park Press (60K circulation).

Co-Host of the long-running River Read reading series in Red Bank, which features NJ and national poets.

Associate Editor of the literary magazine This Broken Shore.

Founder and CEO of BLAST PRESS, a literary mirco-publisher that has published over a hundred poetry and literary titles over the last quarter century.

Two-time Asbury Park Poet Laureate awarded by the Asbury Music Awards.

BLAST PRESS is always looking for chapbook-length single-author poetry book submissions (30-70 pages).

My Amazon Author page: http://amazon.com/author/gregglory/

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