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The Hummingbird’s Apprentice
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I leaned lazily against the dirty ductwork, my rump in a rumpus of dry leaves, beside me a stack of Cicero (Loeb’s ed.), Auden, some modernist trash. I looked past my tilting sneakers to see the edge of the roof of the Guggenheim Library. A mix of field and woods front leafy Cedar Ave., a terrain that cradled my college days. This is where I ate my way through french fry piles of poems, feasts of history, big burgers of science, and lemonade gulps of art. With the open sky above me, a good book beside, and a building full of poetry behind-the world was my oyster! ROADSIDE WINE Pull off 71 suddenly, onto
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Authored by The Old Truculence A note concerning the basic arc of this book of poems–to re-register grace and freedom as America’s primary metier. Freedom breeds elegance. Not the inbred elegance of aristocracy, where beautiful ladies eventually come to resemble their Russian wolfhounds. Nor, simply, the truculent elegance of that sly Benjamin Franklin who, as ambassador to the French Court, refused to bow before King Louis the 16th or doff his coonskin cap. Freedom breeds the desire to create one meaningful action with your entire life–the effortful elegance of the artist that James Joyce defined as the willingness to gamble your whole life on the wrong idea, a bad aesthetic, or, it may be, a genuine triumph. And America has created, and can still create, a unique scale of opportunity for such elegant “throws of the dice,” as Mallarme might say. A natty Fred Astaire (originally Austerlitz), gliding with the ease of an ice skater as he backs Rita Hayworth (a gal from Brooklyn) into immortality to a tune penned by the jewish Jerome Kern in an industry patented in the U.S.A. is but one example of the scale of that opportunity. When you are free to do anything, a desire grows in the breast not to do just anything, but to do the best thing–and that is an aesthetic dilemma. The mere accumulation of capital, or the arbitrary exercise by minor government regulators of petty power, are two classic examples of the desire for a meaningful expression of life-status that lack the aesthetic instinct. Such timid ambitions grow most strongly where the full range of light is narrowed, and the blossom of selfhood must twist around corners to open its ruby glory in a thinning patch of sunlight. Gregg Glory March, 2013 Come, My Dreams Come gather round me, multitudinous dreams That in the dim twilight are murmuring soft; Come lay by my head in the pillow-seam; Come carry my freighted heart aloft. O, I would dare dream as few men dream Beyond the cruel cudgel of the strong, Beyond the purpled tapestries of is and seems Hung before my eyes, beyond cold right or wrong.
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Haiku written by hurricane candlelight
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Hurricane haiku written duringFall 2012’s Hurricane Sandy From the book: The old blue storm-sign Gets spray-painted over in red: Get lost I have never liked to travel, having a dislike of the confusion of new scenes, but I find myself hamstrung at home as well with a deep sense of offended opprobrium at the repetitiousness of the local rituals of the Jersey Shore–beginning with Bar A and ending with the not-quite-naked strip joints like Untouchables that used to line Highway 35 up toward South Amboy. Too lazy to travel, I wait for the busy weather To come knocking. Kindle Edition on Amazon ($0.99).
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A sensitive prose rendering of the lovely poem “The Dream of the Rood (Cross)” by an anonymous Medieval English poet. From the poem: Listen sweetly, for I will tell a dream–of all dreams, the best–come to me at guilty midnight, while the other voices slept, and I was wakeful. Before me twisted and rose up a wondrous Rood, brighter than leaf-light, enveloped by beams. Burnished as a battle-standard, it stood, lovingly covered in gilt foil of gold. Where its root-end reached earth lay bright tangles of rivery gems; five gems as big as knuckles shone at the cross’ crux, bound tight as a dovetail joint. Fair-formed hosts of eternal angels gazed glowingly down upon this gorgeous cross; certainly, this was no sinner’s gallows, framed for felons. Holy spirits beheld it there, and all good men upon the earth earnestly stared, and all of God’s glorious creation circled round and cradled the wondrous Rood in its heart. Kindle Edition on Amazon ($0.99).
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inner nature poems From the Intro: Catastrophes and Trophies This collection is actually the combination and slight rearrangement of four separate volumes of verse; almost all of these poems were written in the calendar year 2001. It’s not much to show for a year of human life– that rich mystery we are twisted into by such a resolute hand. The main emphasis of this collection (as I hope will be quite clear) is Nature. Nature and Naturalism are not quite the same thing, however, and I have always had my own disagreements with the various proponents of those who took too dogmatically Thoreau’s painful premise “Simplify, simplify, simplify.” The sub-title is “inner nature poems,” and that is to help show that the weather for humans is never merely a matter of what’s over our heads– it’s what’s in our hearts as well. Kindle Edition on Amazon ($3.99).
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Sipping Beer in the Shadow of GodTravel Notes and Prose Poems in the spirit of Basho
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JOHN MUIR’S AUGUST HEAD John Muir’s queer and sundry quotations and exclamations shine through pane after pane of Yosemite Valley’s buildings. Less a ghost and more of a sacred mascot, his bearded visage seems to hang down from every shaggy tree and to impose itself in the crinkled cliff-shadows on every side of this immense religious fosse into which tourists pour as amply as blood or wine. “How glorious a greeting the sun gives the mountain!” “I never saw a discontented tree.” “The mountains are calling, and I must go.” Kindle Edition on Amazon ($0.99).
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Collected poems of Gregg Glory [Gregg G. Brown] Questioning Is Questing Western civilization is in a cul-de-sac. At the end of that cul-de-sac is a guillotine. Beside that guillotine stands the hulking executioner in his greasy black hood. Through that hood peer two red, maddened eyes. Below those eyes, as through a lazy tear, shows a long, slavering wolf-thin grin. Lightning stitches knots in the dead, leaden skies. Thunder interrupts the prayers for the dead. Doom. DOOM. DOOM. Even so, my life is filled with primroses and wishes. I sit here–or lie, rather, languid as an American Oblamov rolled in his snoozy comforter– building my empire of words. I’ve spent long, sad years loving people I never could come to know. Strangers whose alien minds lived other lives, pattering after petty pursuits I never really could come to understand. Now I fear that my own kindness and lack of company has led me, in an easy dream of desperation, to see Helen in every barmaid’s face. Cold are the coals I have gathered, betrayed by a generous impulse that led me to love first and question second. Over evil rapids I have roved, slouching to the salt dissolution of the sea, who should have been climbing heavenward with Manfred–my eye upon some solitary cloud-wracked peak where every subtle shifting shape suggests a new, unborn greatness (or an old noble greatness renewed) to the seeker’s keen and lonely imagination. Instead, I have sunk my mind among warm elbows at a crowded table, seeking fellowship in banal company and dissipating what genius drifts to me in shrunken rounds of tavern talk. Few have been the companions time has tested true. I recall my Mom, downed in her home hospital bed and not the bed of her marriage, pointing at my nose with a red, imperious finger, demanding first and foremost (loved son or no) that I “tell it true.” To that improbable pipsqueak queen, crippled yet proud as the devil in her flowered hospital gown–and to her regal charge–I keep my pledge. I do not condemn others for my misjudgments, but, looking at the litter of years, I begin to perceive that there was something of method in my mismeasure. Questioning is questing. Leaving a question open encourages all comers to the query to have the experience of exploration; each hypothesis is happy to go unconfirmed, as long as the hypotenuse is mutually traveled by writer and reader in the coracle of a quatrain. There is something of Emerson in this energy of questioning, but none of his faith in God’s final ground, the rock of reality. May such dubious wisdom as my pain has gathered serve me well henceforward. May the narrowing of possibilities sharpen my focus, as when a saltine’s pinhole, brought close to the eye, removes the blur of distant things, clarifying every tiny difference and shutting out peripheral static. It is only now, as this labor of years surrounds me on every desktop, that I am coming to feel that the best strength of my youth has been wasted elaborating a maze of quizzes instead of attempting to soar, however falteringly, into the omniscient sun. Was it a deficit of pride that had me prefer puzzles to plumage? Or some more insidious hidden desire to be touted and touched instead of respected and feared? Well, here I am again, ending each sentence with my shepherd’s crook (?) instead of the thunder god’s triumphant stab and pang! So much of our humanity is mist and mystery; so many of our hours slide by in incapable ignorance. But what makes our lives worth the sinning that created them is the moment the mirror comes clear, as if in a revelation, and every face confronts the tragedy of its character. Kindle Edition on Amazon ($0.99).
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“When the Moon Melts” The dwarf’s hideous face retreated from the basement window, an array of grimy grey whiskers and a radish nose. “When the moon melts Chanted Mr. Plimsoul and the lady together. Wild shadows flickered around them, and they gestured toward the shut box, black and shiny as a beetle’s back. They seemed to be trying to compel the box to open or spontaneously erupt in flame…or something. “Casket of Augersaal, I command you: open!” Mr. Plimsoul shouted, making a weird gesture at the box. “By Neamiahas’ eye, by Qyudditch’s kin, I say: unfasten!” the lady hissed, her boa and her long arms gesturing in the flickering light of the braziers. The casket hopped on the sawhorses once, as if a person inside were being tickled or kicked, and then was still. A thin jet of purple smoke sizzled from one end of the casket… and then stopped. Kindle Edition on Amazon ($0.99).
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Evil Interludes
Novella inspired by the life of the French symbolist poet, Charles Baudelaire. From the book: The title of my intensest work, Flowers of Evil, says everything. I am all declared in this paradox. It was gestated with the patience of an elephant’s child, which labors 14 months in the womb before its gigantic birth, the size of a black coup caught in a rain of elemental perfumes. I am positive it is worth all the lies I have told to see it to print; it is also, I may mention, almost worth all the truths I have had to suffer to bring it off in rage and patience. People… their faces go up in flame when they read it. And yet, they deny me everything, all the glory that they were so willing to load down Satan with, they leave me bereft of, although they declare me his disciple. Hypocrites! I am tired, even, of seeing through their terrible, tepid hearts; pale as the starved spit of a saint! Willess imbeciles. The virtue of my trepanned treatise lies exactly in its faults, and these may all be summed up in one singular, monstrous phrase: it is honest! Kindle Edition on Amazon ($0.99).
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